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What do you hope audiences will take away from this production?

I hope audiences will take away a story of bravery and that even scary situations can have humor--that people are more than just history book statistics.

 

I think children's theatre is an incredibly potent way of changing beliefs or creating awareness and I think it's important.

 

What do you want people to know about "The Crane Fable Project" before they attend?

That they will have fun and hear a special story that is TRUE!

 

If you could be an animal, what would it be and why?

A finch. To fly away fast whenever I needed to protect myself.
Or a gazelle--they have such amazing body tension and can jump so high and beautifully. So springy and fast!

 

RACHEL HYNES

(Actor, "Mother" at evening shows)

 

What's your background?

I come from a family of storytellers and have been acting since 5 years old. I was given the role of the narrator in Snow White, mostly because I had the loudest and clearest speaking voice. I spent 10 years in Seattle as an actor, director and as Co-Artistic Director of Helsinki Syndrome, an avante garde theatre group. We performed at On the Boards in Seattle, Ontological-Hysteric Incubator in NYC and Camden People's Theatre in London. I trained in physical and devised theatre at the London International School of Performing Arts (LISPA) and have my MFA from there. I've performed around town: Faction of Fools, Forum Theatre, Brave Spirits and spend a lot of time creating my own work, often unusual, often site-specific.

 

Have you been a part of Capital Fringe before?

Yes. Last year I was in Balloon Plays (2014), Faction's Fool for All (2011), helped devise Emma Jaster's To Know a Veil (2013).

I was in the Seattle Fringe Festival in 2001 in a production that won Runner Up: Best of Fringe

 

Did you know the story of the 442nd Regimental Unit?

I know a little about Japanese Internement from history class and some books I've read (fiction). I know nothing about the 442nd Regimental. My ex-boyfriend's mother was interned in Hawaii.

 

Why do you think it's important to keep this piece of history alive, with both adults and youth?

I think it's really important for us to remember what we chose to do to our own citizens, out of fear. This war on terror could easily bring a similar situation.

INTERVIEWS

This production is prsented as a part of the 2015 Capital Fringe Festival, a program of the Washington, DC non-profit Capital Fringe

THANK YOU TO OUR SUPPORTERS

Imagination Stage  *  National Japanese American Memorial Foundation

National Park Service  *  Source Theatre  *  Theatre J  *  Woolly Mammoth Theatre Company

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